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| 商品規格 | |
| Artist | Joseph Farington |
| Originality | Original |
| Size | Medium (up to 36in.) |
| Date of Creation | 1797 |
| Period | 1797 |
| Material | Watercolour |
| Framing | Framed |
| Subject | Landscape |
| Type | Painting |
| Year of Production | 1797 |
| Original/Licensed Reproduction | Original |
| Width (Inches) | 17.5 |
| Height (Inches) | 12.5 |
| Style | Traditional |
| Features | Framed |
| Production Technique | Watercolour Painting |
| Country/Region of Manufacture | United Kingdom |
| Time Period Produced | 1750-1799 |
| 商品狀況說明 | Painting has staining in sky and some fading commensurate with 180 years without a glass cover. The listing includes copyright of all the words below and the painting- which is the only first hand evidence of 'The Battle Of Hastings' as depicted on the Bayeux tapestry and copyright - observation of a light-house on the tapestry and copyright to the original Roman name of Hastings 'Hay saat ea ynaghana'. and much more as described in the listing. It documents in no particular order the discovery of the site of William's motte at Hastings by careful examination of the painting by Joseph Farington in 1797. From this observation of the motte on the beach as also described in the records of Battle Abbey, one must conclude that the tower next to William seated at Hastings shown on the Bayeux tapestry is a lighthouse. A unique observation; never before alluded to in 1000 years. (A defensible beacon which guided William to land at Hastings - the exact site shown in this Farington painting) |
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